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"A case study of sinewy simplicity and honed comedy craftsmanship."

1 March  - 7 July 2022

Kings Head Theatre, Islington

Weston Studio, Bristol Old Vic

Northcott Theatre, Exeter
Valley Arts
Malmesbury Town Hall
Blakehay Theatre, Weston-super-Mare
Ustinov Studio, Theatre Royal Bath

Salisbury Arts Centre

Bridport Arts Centre

Taunton Brewhouse

Pound Arts, Corsham

The Exchange, Sturminster Newton

Marine Theatre,Lyme Regis

Minack Theatre, Cornwall

The Cause, Chippenham

The Theatre Shop, Clevedon

4 Feb  - 29 March 2015

 Spring Arts Centre, Havant
Marlowe Theatre, Canterbury
Guildhall, Gloucester
Trinity Theatre, Tunbridge Wells
Tobacco Factory Theatres, Bristol
The Met, Bury

The Atkinson, Southport
Artsreach, Dorset
Brewery Arts Centre, Kendal 
Torch Theatre, Milford Haven
Yeo Valley HQ, Blagdon
Princes Hall, Clevedon

16 Sept  - 25 Oct 2014

The Brewery, Tobacco Factory Theatres, Bristol

Salberg Studio, Salisbury Playhouse

The Exchange, Sturminster Newton

Bath 

Lyme Regis

Dorchester

Narbeth

Elizabeth I - Virgin on the Ridiculous

1558. England. A country divided by religion and politics, teetering on the brink of civil war. The hopes of the nation lie with one woman.

 

2022. England. A country divided by those who enjoy plays featuring men in dresses and those who don’t. The hopes of the nation lie with two West-Country actors.

 

Yes, that’s right. After touring their sold-out-from-Penzance-to-Pitlochry, Off-West-End-Award-nominated The Six Wives of Henry VIII, the second of Living Spit’s (un)Holy Trinity of hilarious heritage historiographies is go as Howard and Stu attempt to tell the story of the greatest monarch that ever lived - Elizabeth: The Virgin Queen.

 

With more live original music, silly songs, smutty shenanigans, perfunctory props, and hysterically historical horseplay, this promises to be (another) poorly researched lesson in Tudor history that you’ll never forget.

“A case study of sinewy simplicity and honed comedy craftsmanship.”

The Stage

★★★★

"We all left with big grins on our faces, feeling satisfied, educated, and thoroughly entertained."

The FTR

"Side-splittingly funny."

StageTalk Magazine

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